Todd Reynolds
Headquarters for All Things ToddArchive for February, 2008
Snowy Day in New York, let’s not make it a regular thing.
Not that I mind it, not that I’m not completely used to it these days, but … greeted by a winter storm, AND on the day of my first gig in New York in a while? What a greeting. Last night I had no problem whatsoever finding a parking place in Sunnyside, go figure, it’s usually a nightmare. By now I’m sure I’m completely plowed in, with chance of precipitation at 77percent for the next 24. ugh.
In New York for rehearsals and shows and meetings for about the next two weeks now, reawakening and assaulting all my regular sushi and places… It’s real good to be back for longer than 2 days at a time, and nice to see old friends and colleagues… Odds of the winning jackpot today are 1 in 175,711,536… $175 million.
Shall I save my dollar?
Still Life explorations with Satoshi Takeishi and Luke DuBois at Issue Project Room
February 22nd, Thursday
8pm
10$
The Issue Project Room has moved, and Suzanne Fiol and now Zach Layton, in partnership, are curating ever more interesting musical events at the new space, in fact, IPR is feeling more and more like Brooklyn’s premiere space for listening to creative music. Just visit them to see the calendar and get on that mailing list! Last time, in the old space, Michael Lowenstern, Luke DuBois, Jody Elff, Chris Tignor, Stephan Moore and I had a riotously good time.
I’m so excited to do a first gig in the new space with Satoshi Takeishi. Though we’ve played together over the years, this is a second time for us playing together as a duo, musically at least. Luke DuBois will join us as well, so it’s really a chamber trio of digital violin, percussion and electronics and live video, in true Still Life with Microphone style. (I might even beg Luke for some sound as well) In any case, it’s an experimental evening not to be missed, including a set with cellist Alex Waterman and sound and visual artist Kenta Nagai.
Leave a comment if you’re coming! So I can get all excited to see you…
In Love (Songs) with The Albany Symphony, Theo Bleckmann and Neil Rolnick
I hope you’ll be able to join me for the world premiere performances of Neil Rolnick’s new piece, Love Songs with the Albany Symphony Orchestra, David Alan Miller conducting, with vocalist Theo Bleckmann, and yours truly, of course. Written specifically for these Valentine’s Day performances, Love Songs, with a text by Larry Beinhart, follows a relationship from its first hormonal rush through struggle and renewed commitment, to an understanding that “if you’re lucky in life, love comes along.”
Featured Artist on Ableton’s website
It’s no secret that my main software of choice is Ableton LiveAND that I teach it everywhere I goAND that it’s my main performance tool.It is, however, no longer a secret to Ableton,AND it’s a great pleasure to be sittin’ on their website alongside of Maestro Townshend.Cuz that simply rocks.Ableton now has a student discount, so students and faculty look that up here.
IUPUI – Still Life with Microphone – IUPUI
IUPUI – This almost palindromic acronym stands for … Indiana University – Purdue University at Indianapolis, and Still Life with Microphone lands there in residence this week starting on February 5th.
Click here for a full schedule and webstream links. You can be here too!
Here’s the extended scoop:
Indiana University School of Music at IUPUI offers graduate programs in both Music Technology and Music Therapy, and is closely connected with The Donald Tavel Arts Technology Research Center at IUPUI. Its mission statement carries a mandate to enrich the community through Technology, but there seem to be mission statements all over their website, including this one which lead not only to the hiring of our host, Scott Deal, but subsequently to our residency with the music department:
“The Donald Tavel Arts and Technology Center explores frontiers of music-related, multimedia and cross-disciplinary networked projects. Within these parameters, the work of the center extends into fine arts, education, health sciences, business, and computer science. As Tavel Center associates collaborate with researchers in these areas, new modes of creative thought, healing and expression emerge.”
So… Three cheers for this institution, and especially for this music department. We’ll feel right at home as we visit with like-minded folk. The nearly week-long residency includes workshops in Ableton Live, Max/MSP/Jitter, and “Todd and Luke” forums on Multimedia Performance, culminating with an evening performance of Still Life with Microphone, featuring the digitized violin music of Todd Reynolds, and Luke Dubois’ inimitable blend of audio driven film and live graphic animation.
Colorado University at Boulder
Imagine a technology and performance center called The Atlas Building, state of the art technology in education. Next, imagine some of the most beautiful scenery we have in the US. Next, imagine a Music Department with a Jazz Studies Professor completely committed to opening the minds of not only his students, but those of the whole music department.
The WHOLE music department of Boulder’s Colorado University opened its arms to us as we (Todd and Luke) visited for the first time with a Still Life with Microphone residency on January 28th through February 1st. John Gunther, professor of Jazz Studies, was our host, and singlehandedly brought the funding and planning together to create at least 10 events which lead to Saturday night’s performance of Still Life, featuring several performances of new musical and a three-screen, four-projection setup in the Atlas Black Box theater.
Highlights included an hour with the entire String Department, thanks to Erika Eckert, Judy Glyde and Paul Erhard, in which I got to know a group of incredibly strong, impassioned players, as well as a two hour “improvisation from scratch” workshop, an hour of SoundPainting™ with John’s Jazz ensemble as I rode into town, and tag-team workshops with Luke on music and video technology.
John Hadfield flew in to do a gig with John Gunther and Luke and myself at The Walnut Room, which, by the way, has some of THE best pizza I’ve had in awhile… (I’ll put up a clip or two as soon as I have a moment to breathe) Playing with the Gunther/Hadfield show was yet another highlight to an incredible week.
And a special thank you to the Pendulum Series, a new music series directed by composition faculty Dan Kellogg and pianist Hsing-Ay to be lauded for its openness and commitment to excellence across what would be considered stylistic ‘boundaries’ for some. I’m grateful for their invitation to perform Icy Sleeves on their program also featuring the music of Mark Anthony Turnage, in residence for the classical side that week as well.
Some incredibly talented folk there with great vision. Special shoutouts to those we worked with closely like Emily, Brandon, Hunter, Seraphin, Josh, and to all the faculty who were so warm and welcoming. Stephanie, Michael Theodore, Gary, Rebecca of the Atlas Building.








